Sob Charitro Kalponik , Afterword Shob Charitro Kalponik. Directed by: Rituparno Ghosh Written by: Rituparno Ghosh Starring PrasenjitBipasha BasuPaoli DamJisshu Sengupta Cinematography Soumik Haldar Editing by: Arghakamal Mitra Distributed by: Big Pictures Release date(s) 28 August 2009 (Bengal) Language Bengali

Sob Choritro Kalponik Story, Review details

Sob Charitro Kalponik Aka Afterword (2009) , is a Bengali film by Rituparno Ghosh. The movie stars Bipasha Basu and Prasenjit Chatterjee.This movie is selected for the 30th Durban International Film Festival ’09.

Non-resident Bengali Radhika (Bipasha Basu) marries the thespian poet Indranil Mitra (Prasenjit Chatterjee) to settle in Kolkata. While Indranil continues his surveillance of the surreal world of words, rhythms, rhymes and imaginations Radhika single handedly pulls out the private and public aspects of conjugal life. Radhika gets wholesome support from their housemaid Priyobala Das (also called Nondor ma). While the apparently irresponsible and introvert Indranil does one menace after other, (like quiting his job after getting an award etc.) Radhika stands like a rock to make the family exist materially. But all these reluctancy and indifference from Indranil, makes Radhika’s heart oscillate towards Shekhar, her office colleague and Indranil’s biggest admirer. Radhika gets attracted towards Shekhar (Jisshu Sengupta), but can’t abandon the unpredictability and histrionics of her spouse. The benevolent woman remains awe struck when she hears about her husband’s demise while she was aiding her ailing mother during the Durga Pujas. Life never becomes the same again for Radhika. She begins to discover the dead poet through a mystic and subtle journey. She discovers Indranil’s woman of fantasy, Kajori Roy (Paoli Dam). Through the journey Indranil becomes more real to Radhika than what he was as a living entity. Radhika’s relation with Shekhar dies premature. She discovers that Indranil had lifted some of her own poems but through his she feels that the man was not indifferent to her. Radhika remains intertwined with the unknown galaxy of imagination within which she invents Indranil in an entirely unexplainable phenomena.
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Rajdrohi : Fight Against The System Directed by: Tapan Banerjee Produced by: Rajkumar Tiwari, Sadhna Movies Written by: Avik Banerjee Music by: Babul Bose Editing by: Swapan Guha Country  India Language Bengali

Rajdrohi Story, Review details

Rajdrohi : Fight Against The System is a 2009 Science fiction Bengali film directed by Tapan Banerjee. This is second directorial film after 2007 “Prem”. The film is starring Anshuman, Swati, Manali and Rajatava Dutta. This film is slated to release on 25th December 2009 and is the first science fiction film of its kind in Bengali till date. The film deals with invisibility of human being and is quite similar to H.G. Wells’ The Invisible Man

Deep (Anshuman) gets in a fix when a laboratory test on him makes him invisible. Rest of the film shows his search for his father who invented the antidote and comes to know about many shocking secrets.
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Lakshyabhed Jackpot Directed by: Raj Mukherjee Produced by: D.M Productions Starring Joy Swastika Tapas Pal Rachana, Saby: asachi Monoj Mitra Kharaj Mukherjee Locket Pulokita Neel Kanchan Mallick Monu Mukherjee Music by: Kalyan Sen Barat Cinematography Bakul Roy Release date(s) 23 January 2009 Running time 120 min Country India Language Bengali Budget 65 Lakhs

Lakshyabhed Story, Review details

Lakshyabhed is a 2009 Bengali film directed by Raj Mukherjee. The film stars Joy, Swastika, Tapas Pal, Rachana, Sabyasachi, Monoj Mitra, Kharaj Mukherjee, Locket, Pulokita, Neel, Kanchan Mallick, and Monu Mukherjee. It was shot at Pattaya in Thailand, a first for a Bengali film. An 18-member team camped in Pattaya to shoot the sun and sand. and Eden Gardens, Kolkata.

The film is revolving round Rupak Chowdhury (Tapas Pal) and his mentally retarded brother Joy (New comer JOY) along with their step brother Rohit and sister Rinki. They live with their step uncle Ahi mama (Manoj Mitra) and his wife, who conspire against them. Joy was given poisonous medicines since his childhood by Ahimama and his Dr. friend which has damaged his nervous system. Nobody loves Joy without Rupak & their servant Harikaka (Kharaj Mukherjee). For a change Rupak takes Joy to their village where they meet two sisters Mukul (Rachana Banerjee) and Bakul (Swastika Mukherjee). Incidentally Rupak marries Mukul but when they return back to home, the bad-guies deny to accept her as Rupak’s wife and continuously blame her for their sudden misfortune. Mukul leaves home with Joy to cure him. After consulting a doctor she sends Joy to “Ananda Ashram” under the supervision of Maharaj (Sabyasachi Chakraborty). On the other hand, Ahimama sends his friend’s daughter Kitty (Locket Chatterjee) to woo Rohit but when Kitty comes to know about their conspiracy they kill her. Slowly Rinki and Rohit understand that they are being misguided by their beloved uncle & aunt, but it’s too late. Ahimama kidnaps Rupak and Mukul- Bakul’s parents & kills Harikaka. So Mukkul Bakul and Joy come to rescue Rupak, fight bravely but Rupak and Rohit both die while fighting. Joy kills his Ahimama, takes his revenge, then goes to jail, writes his autobiography “Lakshyabhed” in jail and then comes out from jail to live happily ever after with his family.

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kaalbela kaalbela Directed by: Goutam Ghosh Produced by: Doordarshan, Prasar Bharati Written by: Samaresh Majumdar Starring Parambrata ChatterjeePaoli DamSantu MukherjeeSoumitra Chatterjee Music by: Goutam Ghosh Cinematography Bijay Anand, Goutam Ghosh Editing by: Shuvro Roy Distributed by: NFDC Release date(s) 16 January 2009 Running time 120 minutes Country India Language Bengali

Kaalbela Story, Review details

kaalbela is a 2009 Bengali film directed by Goutam Ghosh .The film is starring Parambrata Chatterjee, Paoli Dam, Santu Mukherjee and Soumitra Chatterjee. This film set against the background of the Naxalite movement. Based on a 1980s novel by Samaresh Majumdar, the film sets itself up, quite self-consciously, within a certain tradition of films, namely radical political Bengali cinema of the 1970s and 1980s. It thus establishes an intertextuality and a certain connection with them.By situating itself and the story it has to tell, within this matrix of the 1970s radical Bengali cinema, Ghose anchors the film squarely within its time, within that time. The mood and the events certainly, but even the way these black and white shots are used, underlines a somewhat documentary – and thus temporally limited – character of the way these sequences are put to use.

Animesh Mitra is simpleton who arrives at Calcutta from Jalpaiguri, during the hostile times (1967) for studying at the Scottish Church College. He is scheduled to take refuge at the residence of his father’s friend Mr. Debabrata, but accidentally gets shot in his limb only to end up at the Calcutta Medical College. Eventually things move on and Animesh makes deep friendship with Debabrata’s daughter Neela. He takes admission in the M.A classes of Scottish Church College on Bengali Literature and ultimately becomes intertwined with the unresting times of the youth intellect. He turns to become a Communist under the mentorship of Ramen and Subash Sen, but after a year he feels that their party (B.P.S.F) has been deviating from the ideals of building up an egalitarian society. With the idealistic ideas of Subhash Sen and others Animesh rediscover himself as a hardcore Naxalite, rampaging the interiors of Northern West Bengal. In the meantime Animesh gets ripped up between his ideals and his love (Madhabilata). Madhabilata gets pregnant without getting married while Animesh abandons her for greater idealism. Animesh’s room mate the unquenchable poet Tridip, accompanies him with a dreamy vision of a noncompartmentalized nation. But outrageous planning leads the Naxalite movement to be a tragic demise. Subash Sen and other leaders get slaughtered by the brutal Congressian Police. Tridip is shot dead in front of Animesh’s eyes and Animesh is tortured by the state to search an extent, that he becomes crippled. His nervous systems (below and from the hips) breaks down completely making him a man who can sit and stagger. Amongst all these bettering Madhabilata gives birth to a baby boy (Arka). Neela stands beside Madhabilata like a wall and delivers immense support. Finally in 1977, the Left Front Government decides to release each and every political prisoner and a devastated Animesh comes out from jail custody after meeting minister Sudip (his compatriot during his days at the Scottish). The film ends a silver lining when Animesh unites with his estranged family in a slum (wife and son) with nothing to vie for, but with a spark of hope against aghast capitalism and return back to mainstream with a new theology.

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Antaheen Directed by: Aniruddha Roy Chowdhury Produced by: Jeet BanerjeeAniruddha Roy Chowdhury Indrani Mukerjee Written by: Shyamal Sengupta Starring Radhika ApteRahul BoseMita VashisthAparna SenSharmila Tagore Music by: Shantanu Moitra Cinematography Abhik Mukhopadhyay Editing by: Arghakamal Mitra Distributed by: Mumbai Mantra Release date(s) 23 January 2009 (2009-01-23) Running time 120 minutes Country India Language Bengali

Antaheen Story, Review details

Antaheen is a National Film Award winning 2009 Bengali film directed by Aniruddha Roy Chowdhury. The film stars Radhika Apte, Rahul Bose, Mita Vashisth, Aparna Sen, Kalyan Ray and Sharmila Tagore.

Abhik Chowdhury is an IPS officer with a heart – honest, upright, yet laidback. Having lost faith in the real relationships that he sees around him, Abhik seeks solace in the virtual world. While navigating through this virtual world, Abhik develops an online relationship with a young woman, without knowing anything about her. She is Brinda – a young, dynamic television journalist. She comes from a conventional middle-class home, and her parents live in Jamshedpur. For both Abhik and Brinda, who do not know each others’ real names and whereabouts, this online communication soon becomes an increasingly intense relationship, more real than virtual. While this relationship blossoms within the confines of two computer screens, Abhik gets his six minutes of fame on national television, when he successfully masterminds a raid on a consignment of illegal arms. Brinda telephones him to ask for an on-camera interview, but Abhik declines, stating that did not want to sensationalize the event any further. Ironically the virtual lovers, Abhik and Brinda have an acrimonious first meeting in the real world. It happens at the launch of a controversial mega project of the big-time real estate entrepreneur, Vijay Ketan Mehra. Unaware that she knows Abhik so well on the Internet, Brinda, still smarting from Abhik’s refusal, gets into a bitter exchange of words with him. The argument veers to issues like SENSATIONALISM and soon enough, it is clear that Brinda and Abhik’s real-life interaction has started off on a sour note. Before leaving in a huff, Brinda overhears a piece of conversation between two men about Mehra’s project. This gives her a lead to a potentially big scoop.

Ranjan and Paromita, an estranged couple, become the bridge between Brinda and Abhik. Ranjan is Abhik’s cousin, but he is more of a friend, philosopher and guide. Ranjan is now a stockmarket addict and leads a lonely life after having separated from Paromita a few years ago. Ranjan is as acutely sensitive and perceptive as he is bitter and cynical on the surface. Paromita (Paro to friends and colleagues), is a senior marketing executive with the channel where Brinda works. For Brinda and Abhik, things take a different turn – from hostility to a grudging interest in each other – when they bump into each other at Ranjan’s birthday party, which is secretly organized as a surprise by Paro. At the party, Brinda and Abhik get to know each other a little better. The mood of the party turns romantic yet poignant with Paro singing Ranjan’s favourite song at his insistence. She has never sung that song ever since she left Ranjan’s home. In the virtual world of the Internet, Brinda and Abhik’s online chatting continues unabated, even though their identities remain undisclosed.

Abhik confides in Ranjan that he is probably falling in love, although he does not know with whom. Ranjan warns Abhik with his usual cynicism and reminds him of the perils and pains that often define love. Behind his sardonic comments Abhik gets a glimpse of Ranjan’s sensitivity and loneliness. After hearing his cousin’s advice, Abhik leaves feeling confused yet still not convinced enough to stop falling further in love.Paro gets a rather lucrative offer from Mumbai. But she is in two minds between upgrading her career and staying back for lost love. As the crisis deepens in her mind, she seeks Ranjan’s advice. Although it is bound to intensify his loneliness, Ranjan encourages her to shift to Mumbai. Paro gets confused by Ranjan’s pragmatic, well-meaning advice, as she had hoped and expected him to want her to stay back in the city. Meanwhile, a series of upsetting events, including Paro’s talk about moving to Mumbai and her final break up with her boyfriend, weigh Brinda down. She feels torn between opposite poles of love and friendship. The only thing she can find solace is with her virtual friend, who seems to be her only source of comfort. At work, Brinda hits a stumbling block while doing an investigative story on V.K Mehra’s El Dorado project. At this point, she turns to Abhik for help. Brinda notices some uncanny similarities between Abhik and her anonymous chat friend, in the way they talk, and in their choice of phrase. Something about Abhik reminds her of her online friend. As she follows the leads given by Abhik, she manages to get an important interview lined up which can give her the proof she needs to wrap up her story. The night before her interview, a particular phone conversation with Abhik strikes her. She gets onto the net, and tells her chat friend that they should meet. But this is a meeting which is not destined to happen as things take an unexpected turn. During reaching office for night shift Brinda died in a massive car accident and the meeting never happens. That’s the thing is ‘Endless waiting for love’. Paro leaves for Mumbai. The film ends with the song ‘Bhindesi Tara’.
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Angshumaner Chhobi Angshumaner Chhobi Directed by: Atanu Ghosh Produced by: T. Sarkar Productions Written by: Atanu Ghosh Starring Soumitra Chatterjee, Indrani Halder, Tota Roy Chowdhury, Ananya Chatterjee, Saby: asachi Chakrabarty, Rudranil Ghosh, Anjana Basu, Bhaskar Banerjee, Pijush Ganguly, Soma Chakrabarty and Indraneil Sengupta Music by: Rocket Mondol Cinematography Sandeep Sen Editing by: Sujoy Dutta Roy Distributed by: T. Sarkar Productions Release date(s) August 21, 2009 Running time 125 minutes Country India Language Bengali

Angshumaner Chhobi Story, Review details

Angshumaner Chhobi (2009) is the debut feature film of Atanu Ghosh which was premiered at the 40th International Film Festival of India, Goa. It was selected in the Competitive Section of the festival, one of the two Indian entries.

A journey of four people, Pradyut, Madhura, Neel and Angshuman, through the making of a film. Legendary actor, Pradyut, had chosen a life of exile. Madhura, National Awardee for her debut film, now leads a frustrated existence. Neel, passionate about dance and astronomy, chances on something that changes his destiny. Angshuman, returns from Italy eight years after completing a course in film direction. He has an interesting script on the curious relationship between a septuagenarian celebrity painter and a young nurse. The project is a non-starter with constant setbacks. A crime occurs brings emotional crises to a peak. Despite all adversities, Angshuman is determined to see his dream project through.Thank you for reading the details of Angshumaner Chhobi

Chirodini Tumi Je Amar_Bengali_movie

Director : Raj Chakraborty

Producer : Shree Venkatesh Films

Writter : Abhimanyu Mukherjee

Starring : Rahul Banerjee, Priyanka Sarkar, Tamal Roy Chowdhury, Geeta Dey, Sujit Dutta, Rudranil Ghosh, Rita Koiral, Supriyo Dutta

Music Director : Jeet Ganguly

Cinematography : Premendra Bikash Chaki

Editer : Robi Ranjan Mitra

Distributer : Shree Venkatesh Films

Release date : August 15, 2008

Language : Bengali

Chirodini… Tumi Je Aamar is a Bengali movie directed by Raj Chakraborty. Title Chirodini Tumi Je Amar means “All time you are mine”. Budget of the movie is Rs.2.5 crores.

Story :
The film was inspired by the Balaji Sakthivel directed Tamil film Kaadhal. This is a tragic love story of the Pallavi-Krishna in which girl is very rich and boy is poor. Hence there were many objections to their marriage from family members. But at the end rich girl marries a poor boy against her family’s wishes.

Cast :
Rahul Banerjee (Krishna), Priyanka Sarkar (Pallavi), Tamal Roy Chowdhury (Pallavi’s Father), Geeta Dey (grandmather of Pallavi), Sujit Dutta (Pallavi’s uncle), Rudranil Ghosh (Krishna’s friends Ali), Rita Koiral (Pallavi’s Mother), Supriyo Dutta (Pallavi’s Aunty), Dev (Special appearance), Aritro Dutta Banik (Helper of Krishna).

Crew :

Director : Raj Chakraborty
Producer : Shree Venkatesh Films
Writter : Abhimanyu Mukherjee
Music Director : Jeet Ganguly
Cinematography : Premendra Bikash Chaki
Editer : Robi Ranjan Mitra
Distributer : Shree Venkatesh Films
Story writer :Abhimanyu Mukherjee
Production Designer : Pritam Choudhury
Dialogue : NK Salil
Lyrics : Gautam Susmit

Songs of  Chirodini Tumi Je Amar :

Chirodini Tumi Je Amar Bengali Movie

shibaji_bengali_movie_2008

Director : Babu Ray
Starring : Prosenjit, Swastika Mukherjee
Music Director : Bappi Lahiri
Release date : August 8, 2008
Language : Bengali

Shibaji is a 2008 Bengali film Directed by Babu Ray.

Story of Shibaji:
Shibaji has one main character Shivaji (Prosenjit) who is a goon. He was hired by the villain Bishal Sarkar to kill the judge Prasanta Mullick (Ranjit Mullick). Shivaji’s wife Durga (Swastika Mukherjee) on the other hand being insulted by people every time tries to commit suicide. Shivaji ultimately saves her life and leaves all criminal activities and starts a business of a fast-food center. But one day Bishal Sarkar’s brother along with goons attack the restaurant and kills a person. Inspector Satyaprakash (Tapas Pal) arrests innocent Shivaji.  While Shivaji’s wife was raped and daughter was killed by the three brothers of Bishal Sarkar. His wife Durga commits suicide. Durind this time Shivaji escapes from jail and starts killing Bishal Sarkar’s brothers one by one. He also kidnaps Insp. Satyaprakash’s daughter Jaya (Tathoi) and  starts loving her as his daughter. Again Bishal Sarkar kidnaps Jaya and but Shivaji saves her by doing tough fight. He gets seriously injured and Doctors declare him dead. But like all bollywood movies  Jaya saves his life by singing song in front of God. At the end of the movie Jaya’s marriage has shown after 20 years.

Cast :

Prosenjit
Tathoi
Swastika Mukherjee
Tapas Pal
Shatabdi Roy
Ranjit Mullick

Crew :

Director : Babu Roy
Editer : Atish De Sarkar
Cinematography : Niranjan Das
Fight Composer : Ramu
Playback Singers : Kumar Shanu, Shreya Ghoshal, Alka Yagnik, Anik Dhar, Sumedha and Madhuchhanda

Shibaji 2008 Bengali Movie